<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-728625366094161482</id><updated>2011-07-15T00:16:36.973-07:00</updated><title type='text'>Match Cut Yearly Consensus</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>9</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-5846665500532362489</id><published>2008-02-20T22:59:00.000-08:00</published><updated>2008-10-13T09:57:20.027-07:00</updated><title type='text'>1920s</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://yxklyx.com/me/movies/images/VoyageToTheMoon.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://yxklyx.com/me/movies/images/VoyageToTheMoon.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1273&amp;amp;highlight=yearly+consensus"&gt;Pre-1920:&lt;/a&gt;&lt;br /&gt;1. Voyage to the Moon (Méliès)&lt;br /&gt;2. Broken Blossoms (Griffith)&lt;br /&gt;3. The Cameraman's Revenge  (Starewicz)&lt;br /&gt;4. The Birth of a Nation (Griffith)&lt;br /&gt;5. Intolerance (Griffith)&lt;br /&gt;6. The Great Train Robbery (Porter)&lt;br /&gt;7. The Mystery of the Leaping Fish (Cabanne/Emerson)&lt;br /&gt;8. The Golden Beetle (de Chomón)&lt;br /&gt;9t. The Blue Bird (Tourneur)&lt;br /&gt;9t. Les Vampires (Feuillade)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/caligari.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/caligari.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1108&amp;amp;highlight=yearly+consensus"&gt;1920-1923:&lt;/a&gt;&lt;br /&gt;1. The Cabinet of Dr. Caligari (Wiene)&lt;br /&gt;2. Nosferatu (Murnau)&lt;br /&gt;3. Our Hospitality (Blystone/Keaton)&lt;br /&gt;4. Safety Last! (Newmeyer/Taylor)&lt;br /&gt;5. One Week (Cline/Keaton)&lt;br /&gt;6. The Kid (Chaplin)&lt;br /&gt;7. The Goat (Keaton/St. Clair)&lt;br /&gt;8. Neighbors (Cline/Keaton)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/sherlockjr7.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/sherlockjr7.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=968&amp;amp;highlight=yearly+consensus"&gt;1924-1925:&lt;/a&gt;&lt;br /&gt;1. Sherlock Jr. (Keaton)&lt;br /&gt;2. The Gold Rush (Chaplin)&lt;br /&gt;3. Battleship Potemkin (Eisenstein)&lt;br /&gt;4. The Last Laugh (Murnau)&lt;br /&gt;5. Seven Chances (Keaton)&lt;br /&gt;6. Greed (von Stroheim)&lt;br /&gt;7. Strike (Eisenstein)&lt;br /&gt;8. The Thief of Bagdad (Walsh)&lt;br /&gt;9. Girl Shy (Newmeyer/Taylor)&lt;br /&gt;10. The Phantom of the Opera (Julian)&lt;br /&gt;&lt;br /&gt;Honorable mention:&lt;br /&gt;Die Nibelungen (Lang)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/more/metropolis_drones.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/more/metropolis_drones.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=768"&gt;1926-1927:&lt;/a&gt;&lt;br /&gt;1. Metropolis (Lang)&lt;br /&gt;2. Sunrise (Murnau)&lt;br /&gt;3. The General (Bruckman/Keaton)&lt;br /&gt;4. Napoleon (Gance)&lt;br /&gt;5. Faust (Murnau)&lt;br /&gt;6. The Love of Jeanne Ney (Pabst)&lt;br /&gt;7t. The Unknown (Browning)&lt;br /&gt;7t. The Lodger (Hitchcock)&lt;br /&gt;9. The Kid Brother (Wilde/Howe)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/Joan-715129.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/Joan-715129.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=548"&gt;1928-1929&lt;/a&gt;:&lt;br /&gt;1. The Passion of Joan of Arc (Dreyer)&lt;br /&gt;2. The Man with the Movie Camera (Vertov)&lt;br /&gt;3. Un chien andalou (Buñuel)&lt;br /&gt;4. The Circus (Chaplin)&lt;br /&gt;5. Pandora's Box (Pabst)&lt;br /&gt;6. Steamboat Bill, Jr. (Reisner)&lt;br /&gt;7. The Cameraman (Sedgwick)&lt;br /&gt;8t. The Man who Laughs (Leni)&lt;br /&gt;8t. Big Business (Horne/McCarey)&lt;br /&gt;10. The Crowd (Vidor)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;The Life and Death of 9413, a Hollywood Extra (Florey/Vorkapich)&lt;br /&gt;October (Aleksandrov/Eisenstein)&lt;br /&gt;Diary of a Lost Girl (Pabst)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-5846665500532362489?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/5846665500532362489/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=5846665500532362489' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5846665500532362489'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5846665500532362489'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/02/1920s.html' title='1920s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-5113953242549416355</id><published>2008-02-19T11:36:00.000-08:00</published><updated>2008-10-20T10:43:26.612-07:00</updated><title type='text'>1930's</title><content type='html'>&lt;a href="http://img402.imageshack.us/img402/5343/lagedoreg9.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img402.imageshack.us/img402/5343/lagedoreg9.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=533"&gt;1930&lt;/a&gt;:&lt;br /&gt;1. L'Âge d'or (Buñuel)&lt;br /&gt;2. All Quiet on the Western Front (Milestone)&lt;br /&gt;3. The Blue Angel (von Sternberg)&lt;br /&gt;4. Earth (Dovzhenko)&lt;br /&gt;5. Animal Crackers (Heerman)&lt;br /&gt;6. The Blood of a Poet (Cocteau)&lt;br /&gt;7. Morocco (von Sternberg)&lt;br /&gt;8t. À propos de Nice (Vigo)&lt;br /&gt;8t. Westfront 1918 (Pabst)&lt;br /&gt;10. Hell's Angels (Hughes)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;Another Fine Mess (Parrott)&lt;br /&gt;City Girl (Murnau)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i36.photobucket.com/albums/e4/mike3245/m.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i36.photobucket.com/albums/e4/mike3245/m.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1353&amp;amp;highlight=yearly+consensus"&gt;1931:&lt;/a&gt;&lt;br /&gt;1. M (Lang)&lt;br /&gt;2. City Lights (Chaplin)&lt;br /&gt;3. Frankenstein (Whale)&lt;br /&gt;4. The Public Enemy (Wellman)&lt;br /&gt;5. Dr. Jekyll and Mr. Hyde (Mamoulian)&lt;br /&gt;6. Tabu: A Story of the South Seas (Murnau)&lt;br /&gt;7. La Chienne (Renoir)&lt;br /&gt;8. Dracula (Browning)&lt;br /&gt;9t. Le Million (Clair)&lt;br /&gt;9t. Monkey Business (McLeod)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i36.photobucket.com/albums/e4/mike3245/troubleinparadise.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i36.photobucket.com/albums/e4/mike3245/troubleinparadise.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1262&amp;amp;highlight=yearly+consensus"&gt;1932:&lt;/a&gt;&lt;br /&gt;1. Trouble in Paradise (Lubitsch)&lt;br /&gt;2. Freaks (Browning)&lt;br /&gt;3. Vampyr (Dreyer)&lt;br /&gt;4. Scarface (Hawks)&lt;br /&gt;5. I am a Fugitive From a Chain Gang (LeRoy)&lt;br /&gt;6. Love Me Tonight (Mamoulian)&lt;br /&gt;7. Boudu Saved From Drowning (Renoir)&lt;br /&gt;8. I Was Born, But... (Ozu)&lt;br /&gt;9. The Music Box (Parrott)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img396.imageshack.us/img396/8403/ducksoup161wk1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img396.imageshack.us/img396/8403/ducksoup161wk1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1177"&gt;1933:&lt;/a&gt;&lt;br /&gt;1. Duck Soup (McCarey)&lt;br /&gt;2. King Kong (Cooper/Schoedsack)&lt;br /&gt;3. The Testament of Dr. Mabuse (Lang)&lt;br /&gt;4. The Invisible Man (Whale)&lt;br /&gt;5. Gold Diggers of 1933 (LeRoy)&lt;br /&gt;6. Design for Living (Lubitsch)&lt;br /&gt;7. Zero for Conduct (Vigo)&lt;br /&gt;8. Queen Christina (Mamoulian)&lt;br /&gt;9. Land Without Bread (Buñuel)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img378.imageshack.us/img378/193/latalantemb3.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img378.imageshack.us/img378/193/latalantemb3.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1101"&gt;1934:&lt;/a&gt;&lt;br /&gt;1. L'Atalante (Vigo)&lt;br /&gt;2. It Happened One Night (Capra)&lt;br /&gt;3. The Scarlett Empress (von Sternberg)&lt;br /&gt;4. The Thin Man (Van Dyke)&lt;br /&gt;5. The Mascot (Starewicz)&lt;br /&gt;6. The Goddess (Wu)&lt;br /&gt;7. Twentieth Century (Hawks)&lt;br /&gt;8. The Man Who Knew Too Much (Hitchcock)&lt;br /&gt;9. A Story of Floating Weeds (Ozu)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img133.imageshack.us/img133/2663/brideoffrankensteinus9.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img133.imageshack.us/img133/2663/brideoffrankensteinus9.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1019&amp;amp;highlight=yearly+consensus"&gt;1935:&lt;/a&gt;&lt;br /&gt;1. The Bride of Frankenstein (Whale)&lt;br /&gt;2. The 39 Steps (Hitchcock)&lt;br /&gt;3. A Night at the Opera (Wood)&lt;br /&gt;4. Top Hat (Sandrich)&lt;br /&gt;5. Triumph of the Will (Riefenstahl)&lt;br /&gt;6. Mutiny on the Bounty (Lloyd)&lt;br /&gt;7. Mad Love (Freund)&lt;br /&gt;8t. Captain Blood (Curtiz)&lt;br /&gt;8t. Man on the Flying Trapeze (Bruckman/Fields)&lt;br /&gt;10. The Devil is a Woman (von Sternberg)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img179.imageshack.us/img179/6230/moderntimesxz0.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img179.imageshack.us/img179/6230/moderntimesxz0.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=955&amp;amp;highlight=yearly+consensus"&gt;1936:&lt;/a&gt;&lt;br /&gt;1. Modern Times (Chaplin)&lt;br /&gt;2. My Man Godfrey (La Cava)&lt;br /&gt;3. Fury (Lang)&lt;br /&gt;4. A Day in the Country (Renoir)&lt;br /&gt;5. Mr. Deeds Goes to Town (Capra)&lt;br /&gt;6. The Petrified Forest (Mayo)&lt;br /&gt;7. Dodsworth (Wyler)&lt;br /&gt;8. Osaka Elegy (Mizoguchi)&lt;br /&gt;9. I Love to Singa (Avery)&lt;br /&gt;10. After the Thin Man (Van Dyke)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Rose Hobart (Cornell/Melford)&lt;br /&gt;Sisters of the Gion (Mizoguchi)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img111.imageshack.us/img111/8963/grandillusionsk6.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img111.imageshack.us/img111/8963/grandillusionsk6.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=866&amp;amp;highlight=yearly+consensus"&gt;1937:&lt;/a&gt;&lt;br /&gt;1. The Grand Illusion (Renoir)&lt;br /&gt;2. The Awful Truth (McCarey)&lt;br /&gt;3. Snow White and the Seven Dwarfs (Hand)&lt;br /&gt;4. Pépé le Moko  (Duvivier)&lt;br /&gt;5. Make Way for Tomorrow (McCarey)&lt;br /&gt;6. A Day at the Races (Wood)&lt;br /&gt;7. Stage Door (La Cava)&lt;br /&gt;8. You Only Live Once (Lang)&lt;br /&gt;9. Humanity and Paper Balloons (Yamanaka)&lt;br /&gt;10. Young and Innocent (Hitchcock)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_lmAK2LnvRo0/SAbxIBrV9hI/AAAAAAAAAAk/FRNt7QTcerc/s1600-h/vanishes.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_lmAK2LnvRo0/SAbxIBrV9hI/AAAAAAAAAAk/FRNt7QTcerc/s320/vanishes.jpg" alt="" id="BLOGGER_PHOTO_ID_5190100740782552594" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=754"&gt;1938:&lt;/a&gt;&lt;br /&gt;1. The Lady Vanishes (Hitchcock)&lt;br /&gt;2. Bringing Up Baby (Hawks)&lt;br /&gt;3. Angels With Dirty Faces (Curtiz)&lt;br /&gt;4. The Adventures of Robin Hood (Curtiz)&lt;br /&gt;5. Porky in Wackyland (Clampett)&lt;br /&gt;6. La Bete Humaine (Renoir)&lt;br /&gt;7. Port of Shadows &lt;span style=";font-family:times new roman;font-size:100%;"  &gt;(Carné)&lt;/span&gt;&lt;br /&gt;8. Holiday (Cukor)&lt;br /&gt;9. Pygmalion (Asquith/Howard)&lt;br /&gt;10t. Alexander Nevsky (Eisenstein/Vasilyev)&lt;br /&gt;10t. You Can't Take it With You (Capra)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_lmAK2LnvRo0/SAbyqhrV9iI/AAAAAAAAAAs/leDYKvjYYCk/s1600-h/wizardofoz00tr5.jpg"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_lmAK2LnvRo0/SAbyqhrV9iI/AAAAAAAAAAs/leDYKvjYYCk/s320/wizardofoz00tr5.jpg" alt="" id="BLOGGER_PHOTO_ID_5190102432999667234" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=665"&gt;1939:&lt;/a&gt;&lt;br /&gt;1. The Wizard of Oz (Fleming)&lt;br /&gt;2. The Rules of the Game (Renoir)&lt;br /&gt;3. Mr. Smith Goes to Washington (Capra)&lt;br /&gt;4. Only Angels Have Wings (Hawks)&lt;br /&gt;5. Stagecoach (Ford)&lt;br /&gt;6. The Roaring Twenties (Walsh)&lt;br /&gt;7. Wuthering Heights (Wyler)&lt;br /&gt;8. Gone With the Wind (Fleming)&lt;br /&gt;9. Of Mice and Men (Milestone)&lt;br /&gt;10. Destry Rides Again (Marshall)&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-5113953242549416355?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/5113953242549416355/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=5113953242549416355' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5113953242549416355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5113953242549416355'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/02/1930s.html' title='1930&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_lmAK2LnvRo0/SAbxIBrV9hI/AAAAAAAAAAk/FRNt7QTcerc/s72-c/vanishes.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-5630812531303200175</id><published>2008-02-13T16:34:00.000-08:00</published><updated>2008-10-20T10:38:53.707-07:00</updated><title type='text'>1940's</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.match-cut.org/showthread.php?t=947&amp;amp;highlight=yearly+consensus"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://www.match-cut.org/showthread.php?t=947&amp;amp;highlight=yearly+consensus" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/friday-1.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/friday-1.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=520"&gt;1940&lt;/a&gt;:&lt;br /&gt;1. His Girl Friday (Hawks)&lt;br /&gt;2. Rebecca (Hitchcock)&lt;br /&gt;3. The Philadelphia Story (Cukor)&lt;br /&gt;4. Pinnochio (Luske/Sharpsteen)&lt;br /&gt;5. The Shop Around the Corner (Lubitsch)&lt;br /&gt;6. The Grapes of Wrath (Ford)&lt;br /&gt;7. Fantasia (various)&lt;br /&gt;8. The Great Dictator (Chaplin)&lt;br /&gt;9. Christmas in July (Sturges)&lt;br /&gt;10. Foreign Correspondent (Hitchcock)&lt;br /&gt;&lt;br /&gt;Nearly missed:&lt;br /&gt;The Bank Dick (Cline)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/citizen_kane_4.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/citizen_kane_4.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1349&amp;amp;highlight=yearly+consensus"&gt;1941:&lt;/a&gt;&lt;br /&gt;1. Citizen Kane (Welles)&lt;br /&gt;2. The Maltese Falcon (Huston)&lt;br /&gt;3. Sullivan’s Travels (Sturges)&lt;br /&gt;4. The Lady Eve (Sturges)&lt;br /&gt;5. Dumbo (Sharpsteen)&lt;br /&gt;6. The Devil and Daniel Webster (Dieterle)&lt;br /&gt;7t. Suspicion (Hitchcock)&lt;br /&gt;7t. Sergeant York (Hawks)&lt;br /&gt;9. Ball of Fire (Hawks)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/casablanca.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/casablanca.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1251&amp;amp;highlight=yearly+consensus"&gt;1942:&lt;/a&gt;&lt;br /&gt;1. Casablanca (Curtiz)&lt;br /&gt;2. The Magnificent Ambersons (Welles)&lt;br /&gt;3. To Be or Not to Be (Lubitsch)&lt;br /&gt;4t. The Palm Beach Story (Sturges)&lt;br /&gt;4t. Cat People (Tourneur)&lt;br /&gt;6. Bambi (Hand)&lt;br /&gt;7. This Gun for Hire (Tuttle)&lt;br /&gt;8. The Talk of the Town (Stevens)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/deren-07.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/deren-07.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1163"&gt;1943:&lt;/a&gt;&lt;br /&gt;1. Meshes of the Afternoon (Deren/Hammid)&lt;br /&gt;2. Shadow of a Doubt (Hitchcock)&lt;br /&gt;3. The Life and Death of Colonel Blimp (Powell/Pressburger)&lt;br /&gt;4. The Ox-Bow Incident (Wellman)&lt;br /&gt;5. I Walked With a Zombie (Tourneur)&lt;br /&gt;6t. Le Corbeau (Clouzot)&lt;br /&gt;6t. Red Hot Riding Hood (Avery)&lt;br /&gt;8. The Seventh Victim (Robson)&lt;br /&gt;9. Day of Wrath (Dreyer)&lt;br /&gt;10. Hangmen Also Die! (Lang)&lt;br /&gt;&lt;br /&gt;Very close:&lt;br /&gt;The Leopard Man (Tourneur)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/doubleindemnity460.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/doubleindemnity460.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1085&amp;amp;highlight=yearly+consensus"&gt;1944:&lt;/a&gt;&lt;br /&gt;1. Double Indemnity (Wilder)&lt;br /&gt;2. Lifeboat (Hitchcock)&lt;br /&gt;3. The Miracle of Morgan’s Creek (Sturges)&lt;br /&gt;4. Laura (Preminger)&lt;br /&gt;5. At Land (Deren)&lt;br /&gt;6. To Have and Have Not (Hawks)&lt;br /&gt;7. Ivan the Terrible, Part One (Eisenstein)&lt;br /&gt;8t. Arsenic and Old Lace (Capra)&lt;br /&gt;8t. The Children are Watching Us (De Sica)&lt;br /&gt;8t. A Canterbury Tale (Powell/Pressburger)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Meet Me in St. Louis (Minnelli)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/enfants460.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/enfants460.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1010&amp;amp;highlight=yearly+consensus"&gt;1945:&lt;/a&gt;&lt;br /&gt;1. Children of Paradise (Carné)&lt;br /&gt;2. Brief Encounter (Lean)&lt;br /&gt;3. Rome, Open City (Rossellini)&lt;br /&gt;4. I Know Where I’m Going! (Powell/Pressburger)&lt;br /&gt;5. Detour (Ulmer)&lt;br /&gt;6. The Lost Weekend (Wilder)&lt;br /&gt;7. Scarlet Street (Lang)&lt;br /&gt;8. Mildred Pierce (Curtiz)&lt;br /&gt;9. And Then There Were None (Clair)&lt;br /&gt;10. Spellbound (Hitchcock)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;The Body Snatcher (Wise)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/notorious-3.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/notorious-3.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=947&amp;amp;highlight=yearly+consensus"&gt;1946:&lt;/a&gt;&lt;br /&gt;1. Notorious (Hitchcock)&lt;br /&gt;2. The Big Sleep (Hawks)&lt;br /&gt;3. It’s a Wonderful Life (Capra)&lt;br /&gt;4. Beauty and the Beast (Cocteau)&lt;br /&gt;5. Shoeshine (De Sica)&lt;br /&gt;6. The Best Years of Our Lives (Wyler)&lt;br /&gt;7. The Killers (Siodmak)&lt;br /&gt;8. Great Expectations (Lean)&lt;br /&gt;9. My Darling Clementine (Ford)&lt;br /&gt;10. A Matter of Life and Death (Powell/Pressburger)&lt;br /&gt;&lt;br /&gt;Oh so close:&lt;br /&gt;Gilda (C. Vidor)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/sjff_01_img0373.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/sjff_01_img0373.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=853&amp;amp;highlight=yearly+consensus"&gt;1947:&lt;/a&gt;&lt;br /&gt;1. Out of the Past (Tourneur)&lt;br /&gt;2. Black Narcissus (Powell/Pressburger)&lt;br /&gt;3. The Lady from Shanghai (Welles)&lt;br /&gt;4. Quai des Orfevres (Clouzot)&lt;br /&gt;5. Odd Man Out (Reed)&lt;br /&gt;6. Monsieur Verdoux (Chaplin)&lt;br /&gt;7. Fireworks (Anger)&lt;br /&gt;8t. Daisy Kenyon (Preminger)&lt;br /&gt;8t. Ride the Pink Horse (Montgomery)&lt;br /&gt;8t. Brute Force (Dassin)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Miracle on 34th Street (Seaton)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/more/bicyclethief-9849.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/more/bicyclethief-9849.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=743"&gt;1948:&lt;/a&gt;&lt;br /&gt;1. The Bicycle Thief (De Sica)&lt;br /&gt;2. The Treasure of the Sierra Madre (Huston)&lt;br /&gt;3. The Red Shoes (Powell/Pressburger)&lt;br /&gt;4t. Rope  (Hitchcock)&lt;br /&gt;4t. Portrait of Jennie (Dieterle)&lt;br /&gt;6. Red River (Hawks/Rosson)&lt;br /&gt;7. Germany Year Zero (Rossellini)&lt;br /&gt;8. Force of Evil (Polonsky)&lt;br /&gt;9. Unfaithfully Yours (Sturges)&lt;br /&gt;10. They Live By Night (N. Ray)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;Letter from an Unknown Woman (Ophüls)&lt;br /&gt;Key Largo (Huston)&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/more/thrid_man_ferris_wheel.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/more/thrid_man_ferris_wheel.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=651"&gt;1949:&lt;/a&gt;&lt;/div&gt;&lt;div&gt;1. The Third Man (Reed)&lt;/div&gt;&lt;div&gt;2. Stray Dog (Kurosawa)&lt;/div&gt;&lt;div&gt;3. Late Spring (Ozu)&lt;/div&gt;&lt;div&gt;4. White Heat (Walsh)&lt;/div&gt;&lt;div&gt;5. Kind Hearts and Coronets (Hamer)&lt;/div&gt;&lt;div&gt;6. Blood of the Beasts (Franju)&lt;/div&gt;&lt;div&gt;7. The Set-Up (Wise)&lt;/div&gt;&lt;div&gt;8. The Heiress (Wyler)&lt;/div&gt;&lt;div&gt;9. Thieves' Highway (Dassin)&lt;/div&gt;&lt;div&gt;10. I Shot Jesse James (Fuller)&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-5630812531303200175?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/5630812531303200175/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=5630812531303200175' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5630812531303200175'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5630812531303200175'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/02/1940s.html' title='1940&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-6239676281060495940</id><published>2008-02-08T15:46:00.000-08:00</published><updated>2008-10-13T10:11:56.798-07:00</updated><title type='text'>1950's</title><content type='html'>&lt;a href="http://img223.imageshack.us/img223/6594/sunsethh1.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img223.imageshack.us/img223/6594/sunsethh1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=505"&gt;1950&lt;/a&gt;:&lt;br /&gt;1. Sunset Boulevard (Wilder)&lt;br /&gt;2. Rashômon (Kurosawa)&lt;br /&gt;3. In a Lonely Place (Ray)&lt;br /&gt;4. Los Olvidados (Buñuel)&lt;br /&gt;5. Gun Crazy (Lewis)&lt;br /&gt;6. All About Eve (Mankiewicz)&lt;br /&gt;7. The Asphalt Jungle (Huston)&lt;br /&gt;8. Rabbit of Seville (Jones)&lt;br /&gt;9. Harvey (Koster)&lt;br /&gt;10. Cinderella (Geronimi/Jackson/Luske)&lt;br /&gt;&lt;br /&gt;Almost there:&lt;div&gt;Night and the City (Dassin)&lt;br /&gt;Winchester ’73 (Mann)&lt;br /&gt;Orpheus (Cocteau)&lt;br /&gt;Rabbit’s Moon (Anger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/AlfredHitchcock-Strangersonatrai-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/AlfredHitchcock-Strangersonatrai-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1329&amp;amp;highlight=yearly+consensus"&gt;1951:&lt;/a&gt;&lt;br /&gt;1. Strangers on a Train (Hitchcock)&lt;br /&gt;2. The Day the Earth Stood Still (Wise)&lt;br /&gt;3. Ace in the Hole (Wilder)&lt;br /&gt;4. Early Summer (Ozu)&lt;br /&gt;5. Alice in Wonderland (Geronimi/Jackson/Luske)&lt;br /&gt;6. A Streetcar Named Desire (Kazan)&lt;br /&gt;7. Diary of a Country Priest (Bresson)&lt;br /&gt;8t. The Thing from Another Planet (Nyby/Hawks)&lt;br /&gt;8t. The African Queen (Huston)&lt;br /&gt;10. The Browning Version (Asquith)&lt;br /&gt;&lt;br /&gt;Close:&lt;br /&gt;The Man in the White Suit (Mackendrick)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/ikirublog-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/ikirublog-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1244&amp;amp;highlight=yearly+consensus"&gt;1952:&lt;/a&gt;&lt;br /&gt;1. Ikiru (Kurosawa)&lt;br /&gt;2. Umberto D. (De Sica)&lt;br /&gt;3. Singin' in the Rain (Donen/Kelly)&lt;br /&gt;4. High Noon (Zinnemann)&lt;br /&gt;5. The Life of Oharu (Mizoguchi)&lt;br /&gt;6. Forbidden Games (Clément)&lt;br /&gt;7. The Tragedy of Othello: The Moor of Venice (Welles)&lt;br /&gt;8. On Dangerous Ground (N. Ray)&lt;br /&gt;9. Rabbit Seasoning (Jones)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/image-3.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/image-3.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1157"&gt;1953:&lt;/a&gt;&lt;br /&gt;1. Ugetsu (Mizoguchi)&lt;br /&gt;2t. Tokyo Story (Ozu)&lt;br /&gt;2t. The Wages of Fear (Clouzot)&lt;br /&gt;4. Duck Amuck (Jones)&lt;br /&gt;5. Roman Holiday (Wyler)&lt;br /&gt;6. Pickup on South Street (Fuller)&lt;br /&gt;7. Mr. Hulot’s Holiday (Tati)&lt;br /&gt;8t. The Tell-Tale Heart (Parmelee)&lt;br /&gt;8t. The Earrings of Madame de … (Ophüls)&lt;br /&gt;10. Eaux d’artifice (Anger)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;El (Buñuel)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/big_SevenSamurai-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/big_SevenSamurai-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1076&amp;amp;highlight=yearly+consensus"&gt;1954:&lt;/a&gt;&lt;br /&gt;1. The Seven Samurai (Kurosawa)&lt;br /&gt;2. Rear Window (Hitchcock)&lt;br /&gt;3. On the Waterfront (Kazan)&lt;br /&gt;4. Sansho the Bailiff (Mizoguchi)&lt;br /&gt;5. Johnny Guitar (N. Ray)&lt;br /&gt;6. La Strada (Fellini)&lt;br /&gt;7. Animal Farm (Batchelor/Halas)&lt;br /&gt;8. Gojira (Honda)&lt;br /&gt;9. Dial M for Murder (Hitchcock)&lt;br /&gt;10. Touchez pas au Grisbi (Becker)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/night_of_the_hunter-089-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/night_of_the_hunter-089-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1000&amp;amp;highlight=yearly+consensus"&gt;1955:&lt;/a&gt;&lt;br /&gt;1. The Night of the Hunter (Laughton)&lt;br /&gt;2. Les Diaboliques (Clouzot)&lt;br /&gt;3. Rebel Without a Cause (N. Ray)&lt;br /&gt;4. Rififi (Dassin)&lt;br /&gt;5. Ordet (Dreyer)&lt;br /&gt;6. Pather Panchali (S. Ray)&lt;br /&gt;7. Smiles of a Summer Night (Bergman)&lt;br /&gt;8. Kiss Me Deadly (Aldrich)&lt;br /&gt;9. Lady and the Tramp (Geronimi/Jackson/Luske)&lt;br /&gt;10. Night and Fog (Resnais)&lt;br /&gt;&lt;br /&gt;Close:&lt;br /&gt;The Trouble with Harry (Hitchcock)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/aemanescapedPDVD_007.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/aemanescapedPDVD_007.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=939&amp;amp;highlight=yearly+consensus"&gt;1956:&lt;/a&gt;&lt;br /&gt;1. A Man Escaped (Bresson)&lt;br /&gt;2. The Searchers (Ford)&lt;br /&gt;3. The Killing (Kubrick)&lt;br /&gt;4. Baby Doll (Kazan)&lt;br /&gt;5. Invasion of the Body Snatchers (Siegel)&lt;br /&gt;6. The Wrong Man (Hitchcock)&lt;br /&gt;7. Written on the Wind (Sirk)&lt;br /&gt;8. Bigger than Life (N. Ray)&lt;br /&gt;9. The Burmese Harp (Ichikawa)&lt;br /&gt;10. The Red Balloon (Lamorisse)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Aparajito (S. Ray)&lt;br /&gt;Bob le flambeur (Melville)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img239.imageshack.us/img239/3355/bloodze4.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img239.imageshack.us/img239/3355/bloodze4.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=840&amp;amp;highlight=yearly+consensus"&gt;1957:&lt;/a&gt;&lt;br /&gt;1. Throne of Blood (Kurosawa)&lt;br /&gt;2. The Seventh Seal (Bergman)&lt;br /&gt;3. Paths of Glory (Kubrick)&lt;br /&gt;4. 12 Angry Men (Lumet)&lt;br /&gt;5. Nights of Cabiria (Fellini)&lt;br /&gt;6. The Bridge on the River Kwai (Lean)&lt;br /&gt;7. Wild Strawberries (Bergman)&lt;br /&gt;8. What's Opera, Doc? (Jones)&lt;br /&gt;9. The Cranes are Flying (Kalatozov)&lt;br /&gt;10. Sweet Smell of Success (Mackendrick)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_lmAK2LnvRo0/SAbrrRrV9gI/AAAAAAAAAAc/d5a2On_vQq0/s1600-h/vertigoms0.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_lmAK2LnvRo0/SAbrrRrV9gI/AAAAAAAAAAc/d5a2On_vQq0/s400/vertigoms0.jpg" alt="" id="BLOGGER_PHOTO_ID_5190094749303174658" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=724"&gt;1958:&lt;/a&gt;&lt;br /&gt;1. Vertigo (Hitchcock)&lt;br /&gt;2. Touch of Evil (Welles)&lt;br /&gt;3. The Hidden Fortress (Kurosawa)&lt;br /&gt;4. Elevator to the Gallows (Malle)&lt;br /&gt;5. Ashes and Diamonds (Wajda)&lt;br /&gt;6. Mon Oncle (Tati)&lt;br /&gt;7. The Music Room (S. Ray)&lt;br /&gt;8. Ivan the Terrible II (Eisenstein/Filimonova)&lt;br /&gt;9. Cat on a Hot Tin Roof (Brooks)&lt;br /&gt;10t. A Movie (Conner)&lt;br /&gt;10t. Big Deal on Madonna Street (Monicelli)&lt;br /&gt;&lt;br /&gt;Almost There:&lt;br /&gt;Equinox Flower (Ozu)&lt;br /&gt;Horror of Dracula (Fisher)&lt;br /&gt;The Legend of Sleepy Hollow (Geronimi/Kinney)&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/more/the400blowsyz3.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/more/the400blowsyz3.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=636"&gt;1959:&lt;/a&gt;&lt;/div&gt;&lt;div&gt;1. The 400 Blows (Truffaut)&lt;/div&gt;&lt;div&gt;2. North By Northwest (Hitchcock)&lt;/div&gt;&lt;div&gt;3. Some Like It Hot (Wilder)&lt;/div&gt;&lt;div&gt;4. Pickpocket (Bresson)&lt;/div&gt;&lt;div&gt;5. Rio Bravo (Hawks)&lt;/div&gt;&lt;div&gt;6. Hiroshima mon amour (Resnais)&lt;/div&gt;&lt;div&gt;7. Imitation of Life (Sirk)&lt;/div&gt;&lt;div&gt;8. Anatomy of a Murder (Preminger)&lt;/div&gt;&lt;div&gt;9t. Black Orpheus (Camus)&lt;/div&gt;&lt;div&gt;9t. Sleeping Beauty (Geronimi)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;Almost there:&lt;/div&gt;&lt;div&gt;The Human Condition I: No Greater Love (Kobayashi)&lt;/div&gt;&lt;div&gt;Ballad of a Soldier (Chukhrai)&lt;/div&gt;&lt;div&gt;A Bucket of Blood (Corman)&lt;/div&gt;&lt;div&gt;Ben-Hur (Wyler)&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-6239676281060495940?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/6239676281060495940/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=6239676281060495940' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/6239676281060495940'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/6239676281060495940'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/02/1950s.html' title='1950&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_lmAK2LnvRo0/SAbrrRrV9gI/AAAAAAAAAAc/d5a2On_vQq0/s72-c/vertigoms0.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-286061853150697488</id><published>2008-02-04T20:48:00.000-08:00</published><updated>2008-10-13T10:22:26.311-07:00</updated><title type='text'>1960's</title><content type='html'>&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/sjff_01_img0398-1.jpg" border="0" /&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=475"&gt;1960&lt;/a&gt;:&lt;br /&gt;&lt;div&gt;1. Psycho (Hitchcock)&lt;br /&gt;2. The Apartment (Wilder)&lt;br /&gt;3. L'Avventura (Antonioni)&lt;br /&gt;4. La Dolce Vita (Fellini)&lt;br /&gt;5. Breathless (Godard)&lt;br /&gt;6. The Virgin Spring (Bergman)&lt;br /&gt;7. Peeping Tom (Powell)&lt;br /&gt;8. Shoot the Piano Player (Truffaut)&lt;br /&gt;9. Eyes Without a Face (Franju)&lt;br /&gt;10. Le Trou (Becker)&lt;br /&gt;&lt;br /&gt;Also rans:&lt;br /&gt;Black Sunday (Bava)&lt;br /&gt;Spartacus (Kubrick)&lt;br /&gt;When a Woman Ascends the Stairs (Naruse)&lt;br /&gt;Inherit the Wind (Kramer)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/aluisbunuelviridianadvdreviewVIRIDI.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/aluisbunuelviridianadvdreviewVIRIDI.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1317&amp;amp;highlight=yearly+consensus"&gt;1961:&lt;/a&gt;&lt;br /&gt;1. Viridiana (Buñuel)&lt;br /&gt;2. Yojimbo (Kurosawa)&lt;br /&gt;3. The Hustler (Rossen)&lt;br /&gt;4. Last Year at Marienbad (Resnais)&lt;br /&gt;5. The Innocents (Clayton)&lt;br /&gt;6. Through a Glass Darkly (Bergman)&lt;br /&gt;7. West Side Story (Robbins/Wise)&lt;br /&gt;8. La Notte (Antonioni)&lt;br /&gt;9. A Woman is a Woman (Godard)&lt;br /&gt;10. Il Posto (Olmi)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;Lola (Demy)&lt;br /&gt;Human Condition III (Kobayashi)&lt;br /&gt;The Guns of Navarone (Thompson)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/lawrence-of-arabia-18.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/lawrence-of-arabia-18.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1231&amp;amp;highlight=yearly+consensus"&gt;1962:&lt;/a&gt;&lt;br /&gt;1. Lawrence of Arabia (Lean)&lt;br /&gt;2. La Jetée (Marker)&lt;br /&gt;3. My Life to Live (Godard)&lt;br /&gt;4. The Man Who Shot Liberty Valance (Ford)&lt;br /&gt;5. The Trial (Welles)&lt;br /&gt;6. Winter Light (Bergman)&lt;br /&gt;7. L’Eclisse (Antonioni)&lt;br /&gt;8. Jules and Jim (Truffaut)&lt;br /&gt;9. Cleo from 5 to 7 (Varda)&lt;br /&gt;10. Carnival of Souls (Harvey)&lt;br /&gt;&lt;br /&gt;Also rans:&lt;br /&gt;The Manchurian Candidate (Frankenheimer)&lt;br /&gt;To Kill a Mockingbird (Mulligan)&lt;br /&gt;The Exterminating Angel (&lt;span style="font-size:100%;"&gt;Buñuel&lt;/span&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/85.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/85.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1151"&gt;1963:&lt;/a&gt;&lt;br /&gt;1. 8 ½ (Fellini)&lt;br /&gt;2. The Birds (Hitchcock)&lt;br /&gt;3. High and Low (Kurosawa)&lt;br /&gt;4. Contempt (Godard)&lt;br /&gt;5. Shock Corridor (Fuller)&lt;br /&gt;6. The Servant (Losey)&lt;br /&gt;7. The Haunting (Wise)&lt;br /&gt;8. Charade (Donen)&lt;br /&gt;9. The Great Escape (J. Sturges)&lt;br /&gt;10. The House is Black (Farrokhzad)&lt;br /&gt;&lt;br /&gt;Also rans:&lt;br /&gt;I Fidanzati (Olmi)&lt;br /&gt;Jason and the Argonauts (Chaffey)&lt;br /&gt;Flaming Creatures (Smith)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/dr_strangelove_war_room_generals-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/dr_strangelove_war_room_generals-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1060&amp;amp;highlight=yearly+consensus"&gt;1964:&lt;/a&gt;&lt;br /&gt;1. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Kubrick)&lt;br /&gt;2. Band of Outsiders (Godard)&lt;br /&gt;3. Woman in the Dunes (Teshigahara)&lt;br /&gt;4. I Am Cuba (Kalatozov)&lt;br /&gt;5. Onibaba (Shindô)&lt;br /&gt;6. Fail-Safe (Lumet)&lt;br /&gt;7. A Hard Day’s Night (Lester)&lt;br /&gt;8t. Scorpio Rising (Anger)&lt;br /&gt;8t. Marnie (Hitchcock)&lt;br /&gt;10t. The Umbrellas of Cherbourg (Demy)&lt;br /&gt;10t. Shadows Of Our Forgotten Ancestors (Parajanov)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Charulata (S. Ray)&lt;br /&gt;A Fistful of Dollars (Leone)&lt;br /&gt;Goldfinger (Hamilton)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/sjff_01_img0412.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/sjff_01_img0412.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=993&amp;amp;highlight=yearly+consensus"&gt;1965:&lt;/a&gt;&lt;br /&gt;1. Repulsion (Polanski)&lt;br /&gt;2. For a Few Dollars More (Leone)&lt;br /&gt;3. Red Beard (Kurosawa)&lt;br /&gt;4t. The War Game (Watkins)&lt;br /&gt;4t. The Shop on Main Street (Kadár/Klos)&lt;br /&gt;6. Pierrot le Fou (Godard)&lt;br /&gt;7. Juliet of the Spirits (Fellini)&lt;br /&gt;8. Faster, Pussycat! Kill! Kill! (Meyer)&lt;br /&gt;9. Loves of a Blonde (Forman)&lt;br /&gt;10. Alphaville (Godard)&lt;br /&gt;&lt;br /&gt;Missed it by that much:&lt;br /&gt;Dr. Zhivago (Lean)&lt;br /&gt;A Charlie Brown Christmas (Melendez)&lt;br /&gt;The Collector (Wyler)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/ugly_1-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/ugly_1-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=930&amp;amp;highlight=yearly+consensus"&gt;1966:&lt;/a&gt;&lt;br /&gt;1. The Good, The Bad and The Ugly (Leone)&lt;br /&gt;2. Persona (Bergman)&lt;br /&gt;3. Au hasard Balthazar (Bresson)&lt;br /&gt;4. The Battle of Algiers (Pontecorvo)&lt;br /&gt;5. Blowup (Antonioni)&lt;br /&gt;6. Who's Afraid of Virginia Woolf? (Nichols)&lt;br /&gt;7. How the Grinch Stole Christmas! (Jones/Washam)&lt;br /&gt;8. Masculin, féminin (Godard)&lt;br /&gt;9. A Man for All Seasons (Zinnemann)&lt;br /&gt;10. Tokyo Drifter (Suzuki)&lt;br /&gt;&lt;br /&gt;Just missed:&lt;br /&gt;It's the Great Pumpkin, Charlie Brown (Melendez)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/more/292530707_f5590a5958_o.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/more/292530707_f5590a5958_o.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=830&amp;amp;highlight=yearly+consensus"&gt;1967:&lt;/a&gt;&lt;br /&gt;1. Play Time (Tati)&lt;br /&gt;2. Le &lt;span style="font-size:100%;"&gt;Samouraï&lt;/span&gt; (Melville)&lt;br /&gt;3. Bonnie and Clyde (Penn)&lt;br /&gt;4. The Graduate (Nichols)&lt;br /&gt;5. Point Blank (Boorman)&lt;br /&gt;6. Mouchette (Bresson)&lt;br /&gt;7. Week End (Godard)&lt;br /&gt;8. The Firemen's Ball (Forman)&lt;br /&gt;9. Cool Hand Luke (Rosenberg)&lt;br /&gt;10. Belle de jour (Buñuel)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;Samurai Rebellion (Kobayashi)&lt;br /&gt;In Cold Blood (Brooks)&lt;br /&gt;Branded to Kill (Suzuki)&lt;br /&gt;Titicut Follies (Wiseman)&lt;br /&gt;Wavelength  (Snow)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/more/ape.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://img.photobucket.com/albums/v696/joel_harmon/more/ape.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=717"&gt;1968:&lt;/a&gt;&lt;br /&gt;1. 2001: A Space Odyssey (Kubrick)&lt;br /&gt;2. Once Upon a Time in the West (Leone)&lt;br /&gt;3. Rosemary's Baby (Polanski)&lt;br /&gt;4. Night of the Living Dead (Romero)&lt;br /&gt;5t. Faces (Cassavetes)&lt;br /&gt;5t. Planet of the Apes (Schaffner)&lt;br /&gt;7. Pas de deux (McLaren)&lt;br /&gt;8. If … (Anderson)&lt;br /&gt;9. The Producers (Brooks)&lt;br /&gt;10. Hour of the Wolf (Bergman)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Stolen Kisses (Truffaut)&lt;br /&gt;High School (Wiseman)&lt;br /&gt;Yellow Submarine (Dunning)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/more/Andrei_Rublev.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/more/Andrei_Rublev.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=621"&gt;1969:&lt;/a&gt;&lt;/div&gt;&lt;div&gt;1. Andrei Rublev (Tarkovsky)&lt;/div&gt;&lt;div&gt;2. The Wild Bunch (Peckinpah)&lt;/div&gt;&lt;div&gt;3t. Butch Cassidy and the Sundance Kid (Hill)&lt;/div&gt;&lt;div&gt;3t. Army of Shadows (Melville)&lt;/div&gt;&lt;div&gt;5. Midnight Cowboy (Schlesinger)&lt;/div&gt;&lt;div&gt;6. Satyricon (Fellini)&lt;/div&gt;&lt;div&gt;7. Take the Money and Run (Allen)&lt;/div&gt;&lt;div&gt;8. Easy Rider (Hopper)&lt;/div&gt;&lt;div&gt;9. Kes (Loach)&lt;/div&gt;&lt;div&gt;10. My Night at Maud's (Rohmer)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Not quite there:&lt;/div&gt;&lt;div&gt;Go, Go, Second Time Virgin (Wakamatsu)&lt;/div&gt;&lt;div&gt;Z (Costa-Gavras)&lt;/div&gt;&lt;div&gt;They Shoot Horses, Don't They? (Pollack)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-286061853150697488?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/286061853150697488/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=286061853150697488' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/286061853150697488'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/286061853150697488'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/02/1960s.html' title='1960&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-6687165295824100140</id><published>2008-02-03T02:19:00.001-08:00</published><updated>2008-10-13T10:30:49.709-07:00</updated><title type='text'>1970's</title><content type='html'>&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/conform11.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/conform11.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=462"&gt;1970&lt;/a&gt;:&lt;br /&gt;1. The Conformist (Bertolucci)&lt;br /&gt;2. MASH (Altman)&lt;br /&gt;3. El Topo (Jodorowsky)&lt;br /&gt;4. Claire's Knee (Rohmer)&lt;br /&gt;5. Patton (Schaffner)&lt;br /&gt;6. Catch-22 (Nichols)&lt;br /&gt;7. Five Easy Pieces (Rafelson)&lt;br /&gt;8. Beyond the Valley of the Dolls (Meyer)&lt;br /&gt;9. Le Cercle rouge (Melville)&lt;br /&gt;10. Even Dwarfs Started Small (Herzog)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;Le Boucher (Chabrol)&lt;br /&gt;Gimme Shelter (Maysles/Maysles/Zwerin)&lt;br /&gt;Little Big Man (Penn)&lt;br /&gt;Woodstock (Wadleigh)&lt;br /&gt;The Grandmother (Lynch)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i38.tinypic.com/30t1lki.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i38.tinypic.com/30t1lki.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1305&amp;amp;highlight=yearly+consensus"&gt;1971:&lt;/a&gt;&lt;br /&gt;1. A Clockwork Orange (Kubrick)&lt;br /&gt;2. McCabe &amp;amp; Mrs. Miller (Altman)&lt;br /&gt;3. The French Connection (Friedkin)&lt;br /&gt;4. Punishment Park (Watkins)&lt;br /&gt;5. Straw Dogs (Peckinpah)&lt;br /&gt;6. Walkabout (Roeg)&lt;br /&gt;7. The Last Picture Show (Bogdanovich)&lt;br /&gt;8. Harold and Maude (Ashby)&lt;br /&gt;9t. Fata Morgana (Herzog)&lt;br /&gt;9t. Willy Wonka &amp;amp; the Chocolate Factory (Stuart)&lt;br /&gt;&lt;br /&gt;Almost:&lt;br /&gt;Dirty Harry (Siegel)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img440.imageshack.us/img440/4830/godfatherlhi4.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img440.imageshack.us/img440/4830/godfatherlhi4.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1221&amp;amp;highlight=yearly+consensus"&gt;1972:&lt;/a&gt;&lt;br /&gt;1. The Godfather (Coppola)&lt;br /&gt;2. Aguirre, the Wrath of God (Herzog)&lt;br /&gt;3. Cries and Whispers (Bergman)&lt;br /&gt;4. Solaris (Tarkovsky)&lt;br /&gt;5. Cabaret (Fosse)&lt;br /&gt;6. Deliverance (Boorman)&lt;br /&gt;7. Roma (Fellini)&lt;br /&gt;8. The Bitter Tears of Petra von Kant (Fassbinder)&lt;br /&gt;9. The Discreet Charm of the Bourgeoisie (Buñuel)&lt;br /&gt;9. Play it Again, Sam (Ross)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Frenzy (Hitchcock)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img383.imageshack.us/img383/4294/badlandsww9.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img383.imageshack.us/img383/4294/badlandsww9.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1145"&gt;1973:&lt;/a&gt;&lt;br /&gt;1. Badlands (Malick)&lt;br /&gt;2. The Holy Mountain (Jodorowsky)&lt;br /&gt;3. The Long Goodbye (Altman)&lt;br /&gt;4. The Spirit of the Beehive (Erice)&lt;br /&gt;5. Scenes from a Marriage (Bergman)&lt;br /&gt;6. Amarcord (Fellini)&lt;br /&gt;7. The Exorcist (Friedkin)&lt;br /&gt;8. O Lucky Man! (Anderson)&lt;br /&gt;9. Mean Streets (Scorsese)&lt;br /&gt;10. High Plains Drifter (Eastwood)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Don't Look Now (Roeg)&lt;br /&gt;The Last Detail (Ashby)&lt;br /&gt;The Sting (Hill)&lt;br /&gt;The Wicker Man (Hardy)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img183.imageshack.us/img183/391/theconversationwv9.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img183.imageshack.us/img183/391/theconversationwv9.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1049&amp;amp;highlight=yearly+consensus"&gt;1974:&lt;/a&gt;&lt;br /&gt;1. The Conversation (Coppola)&lt;br /&gt;2. Chinatown (Polanski)&lt;br /&gt;3. The Godfather Part II (Coppola)&lt;br /&gt;4. F for Fake (Welles)&lt;br /&gt;5. The Texas Chainsaw Massacre (Hooper)&lt;br /&gt;6. Young Frankenstein (Brooks)&lt;br /&gt;7. A Woman Under the Influence (Cassavetes)&lt;br /&gt;8. Ali: Fear Eats the Soul (Fassbinder)&lt;br /&gt;9. The Enigma of Kasper Hauser (Herzog)&lt;br /&gt;10. Bring Me the Head of Alfredo Garcia (Peckinpah)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;Celine and Julie Go Boating (Rivette)&lt;br /&gt;California Split (Altman)&lt;br /&gt;Blazing Saddles (Brooks)&lt;br /&gt;Female Trouble (Waters)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i284.photobucket.com/albums/ll39/colpot10/oneflew.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i284.photobucket.com/albums/ll39/colpot10/oneflew.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=987"&gt;1975:&lt;/a&gt;&lt;br /&gt;1. One Flew Over the Cuckoo’s Nest (Forman)&lt;br /&gt;2. Monty Python &amp;amp; The Holy Grail (Jones/Gilliam)&lt;br /&gt;3. Jaws (Spielberg)&lt;br /&gt;4. Barry Lyndon (Kubrick)&lt;br /&gt;5. Dog Day Afternoon (Lumet)&lt;br /&gt;6. Picnic at Hanging Rock (Weir)&lt;br /&gt;7. Nashville (Altman)&lt;br /&gt;8. Love &amp;amp; Death (Allen)&lt;br /&gt;9. The Mirror (Tarkovsky)&lt;br /&gt;10. Deep Red (Argento)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;The Passenger (Antonioni)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img102.imageshack.us/img102/6405/taxidriverst4.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img102.imageshack.us/img102/6405/taxidriverst4.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=924&amp;amp;highlight=yearly+consensus"&gt;1976:&lt;/a&gt;&lt;br /&gt;1. Taxi Driver (Scorsese)&lt;br /&gt;2. Network (Lumet)&lt;br /&gt;3. The Killing of a Chinese Bookie (Cassavetes)&lt;br /&gt;4t. All the President's Men (Pakula)&lt;br /&gt;4t. Carrie (De Palma)&lt;br /&gt;6. The Tenant (Polanski)&lt;br /&gt;7. Assault on Precinct 13 (Carpenter)&lt;br /&gt;8. Rocky (Avildson)&lt;br /&gt;9. The Outlaw Josey Wales (Eastwood)&lt;br /&gt;10t. Mikey and Nicky (May)&lt;br /&gt;10t. Small Change (Truffaut)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;The Bad News Bears (Ritchie)&lt;br /&gt;A Real Young Girl (Breillat)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img170.imageshack.us/img170/8281/anniehallvj7.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img170.imageshack.us/img170/8281/anniehallvj7.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=819&amp;amp;highlight=yearly+consensus"&gt;1977:&lt;/a&gt;&lt;br /&gt;1. Annie Hall (Allen)&lt;br /&gt;2. Eraserhead (Lynch)&lt;br /&gt;3. Star Wars (Lucas)&lt;br /&gt;4. Stroszek (Herzog)&lt;br /&gt;5. Close Encounters of the Third Kind (Spielberg)&lt;br /&gt;6. Suspiria (Argento)&lt;br /&gt;7. Killer of Sheep (Burnett)&lt;br /&gt;8t. That Obscure Object of Desire (Buñuel)&lt;em&gt;&lt;/em&gt;&lt;br /&gt;8t. 3 Women (Altman)&lt;br /&gt;10. Martin (Romero)&lt;br /&gt;&lt;br /&gt;Just missed:&lt;br /&gt;The Ascent (Shepitko)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img134.imageshack.us/img134/345/halloweenmichaelex6.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img134.imageshack.us/img134/345/halloweenmichaelex6.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=703"&gt;1978:&lt;/a&gt;&lt;br /&gt;1. Halloween (Carpenter)&lt;br /&gt;2. Dawn of the Dead (Romero)&lt;br /&gt;3. Days of Heaven (Malick)&lt;br /&gt;4. Invasion of the Body Snatchers (Kaufman)&lt;br /&gt;5t. In a Year of 13 Moons (Fassbinder)&lt;br /&gt;5t. Autumn Sonata (Bergman)&lt;br /&gt;7. The Deer Hunter (Cimino)&lt;br /&gt;8. The 36th Chamber of Shaolin (Liu)&lt;br /&gt;9. The Last Waltz (Scorsese)&lt;br /&gt;10t. Watership Down (Rosen)&lt;br /&gt;10t. Animal House (Landis)&lt;br /&gt;&lt;br /&gt;Almost there:&lt;br /&gt;Interiors (Allen)&lt;br /&gt;A Wedding (Altman)&lt;br /&gt;Midnight Express (Parker)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img518.imageshack.us/img518/3183/apocalypsenowap1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img518.imageshack.us/img518/3183/apocalypsenowap1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=608"&gt;1979:&lt;/a&gt;&lt;br /&gt;1. Apocalypse Now (Coppola)&lt;br /&gt;2. Manhattan (Allen)&lt;br /&gt;3. Alien (Scott)&lt;br /&gt;4. Life of Brian (Jones)&lt;br /&gt;5. All That Jazz (Fosse)&lt;br /&gt;6. Stalker (Tarkovsky)&lt;br /&gt;7. Being There (Ashby)&lt;br /&gt;8. The Marriage of Maria Braun (Fassbinder)&lt;br /&gt;9. Nosferatu: Phantom der Nacht (Herzog)&lt;br /&gt;10. Vengeance is Mine (Imamura)&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;The Castle of Cagliostro (Miyazaki)&lt;br /&gt;The Warriors (Hill)&lt;br /&gt;Woyzeck (Herzog)&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-6687165295824100140?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/6687165295824100140/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=6687165295824100140' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/6687165295824100140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/6687165295824100140'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/02/1970s.html' title='1970&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i38.tinypic.com/30t1lki_th.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-1627026001783718339</id><published>2008-01-30T20:28:00.000-08:00</published><updated>2008-10-13T10:39:43.307-07:00</updated><title type='text'>1980's</title><content type='html'>&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/empire20strikes20back.gif" border="0" /&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=443"&gt;1980&lt;/a&gt;:&lt;br /&gt;1. The Empire Strikes Back (Kershner)&lt;br /&gt;2. Raging Bull (Scorsese)&lt;br /&gt;3. The Shining (Kubrick)&lt;br /&gt;4. Stardust Memories (Allen)&lt;br /&gt;5. The Elephant Man (Lynch)&lt;br /&gt;6. Airplane! (Abrahams/Zucker/Zucker)&lt;br /&gt;7t. The Big Red One (Fuller)&lt;br /&gt;7t. The Blues Brothers (Landis)&lt;br /&gt;9. Kagemusha (Kurosawa)&lt;br /&gt;10. Dressed to Kill (De Palma)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;The Ninth Configuration (Blatty)&lt;br /&gt;The Falls (Greenaway)&lt;br /&gt;Caddyshack (Ramis)&lt;br /&gt;Breaker Morant (Beresford)&lt;br /&gt;Ordinary People (Redford)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i4.photobucket.com/albums/y121/HawleyGriffin/1981/raiders_r1_pic1.jpg?t=1222962188"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i4.photobucket.com/albums/y121/HawleyGriffin/1981/raiders_r1_pic1.jpg?t=1222962188" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1301&amp;amp;highlight=yearly+consensus"&gt;1981:&lt;/a&gt;&lt;br /&gt;1. Raiders of the Lost Ark (Spielberg)&lt;br /&gt;2. Das Boot (Petersen)&lt;br /&gt;3. Blow Out (De Palma)&lt;br /&gt;4. The Road Warrior (Miller)&lt;br /&gt;5. Escape from New York (Carpenter)&lt;br /&gt;6. Time Bandits (Gilliam)&lt;br /&gt;7t. An American Werewolf in London (Landis)&lt;br /&gt;7t. Gallipoli (Weir)&lt;br /&gt;9. The Evil Dead (Raimi)&lt;br /&gt;10. Diva (Beineix)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;The French Lieutenant’s Woman (Reisz)&lt;br /&gt;Reds (Beatty)&lt;br /&gt;Modern Romance (A. Brooks)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/bladerunner_l.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/bladerunner_l.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1205&amp;amp;highlight=yearly+consensus"&gt;1982:&lt;/a&gt;&lt;br /&gt;1. Blade Runner (R. Scott)&lt;br /&gt;2. Fitzcarraldo (Herzog)&lt;br /&gt;3. The Thing (Carpenter)&lt;br /&gt;4. Fanny and Alexander (Bergman)&lt;br /&gt;5. E.T. (Spielberg)&lt;br /&gt;6. Koyaanisqatsi (Reggio)&lt;br /&gt;7. The Atomic Café (Loader/Rafferty/Rafferty)&lt;br /&gt;8t. Poltergeist (Hooper)&lt;br /&gt;8t. The King of Comedy (Scorsese)&lt;br /&gt;10. Veronika Voss (Fassbinder)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Gandhi (Attenborough)&lt;br /&gt;The Secret of NIMH (Bluth)&lt;br /&gt;Fast Times at Ridgemont High (Heckerling)&lt;br /&gt;Tron (Lisberger)&lt;br /&gt;White Dog (Fuller)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/img_7.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/img_7.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1141&amp;amp;highlight=yearly+consensus"&gt;1983:&lt;/a&gt;&lt;br /&gt;1. Return of the Jedi (Marquand)&lt;br /&gt;2. Videodrome (Cronenberg)&lt;br /&gt;3. Sans soleil (Marker)&lt;br /&gt;4. A Christmas Story (Clark)&lt;br /&gt;5. Nostalghia (Tarkovsky)&lt;br /&gt;6. Zelig (Allen)&lt;br /&gt;7. The Meaning of Life (Jones/Gilliam)&lt;br /&gt;8. L’Argent (Bresson)&lt;br /&gt;9. The Right Stuff (Kaufman)&lt;br /&gt;10. Risky Business (Brickman)&lt;br /&gt;&lt;br /&gt;Close, not quite:&lt;br /&gt;WarGames (Badham)&lt;br /&gt;El Sur (Erice)&lt;br /&gt;Rumble Fish (Coppola)&lt;br /&gt;Ballad of Narayama (Imamura)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/amadeus2.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/amadeus2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1036&amp;amp;highlight=yearly+consensus"&gt;1984:&lt;/a&gt;&lt;br /&gt;1. Amadeus (Forman)&lt;br /&gt;2. Paris, Texas (Wenders)&lt;br /&gt;3. Blood Simple (Coen)&lt;br /&gt;4. This is Spinal Tap (Reiner)&lt;br /&gt;5. Ghostbusters (Reitman)&lt;br /&gt;6. Nausicaä of the Valley of the Winds (Miyazaki)&lt;br /&gt;7. Once Upon a Time in America (Leone)&lt;br /&gt;8. Indiana Jones and the Temple of Doom (Spielberg)&lt;br /&gt;9. Repo Man (Cox)&lt;br /&gt;10t. The NeverEnding Story (Petersen)&lt;br /&gt;10t. Stranger than Paradise (Jarmusch)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;The Terminator (Cameron)&lt;br /&gt;Stop Making Sense (Demme)&lt;br /&gt;A Nightmare on Elm St. (Craven)&lt;br /&gt;My Friend Ivan Lapshin (German)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/CastleBurn_Ran.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/CastleBurn_Ran.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=983&amp;amp;highlight=yearly+consensus"&gt;1985:&lt;/a&gt;&lt;br /&gt;1. Ran (Kurosawa)&lt;br /&gt;2. Brazil (Gilliam)&lt;br /&gt;3. The Purple Rose of Cairo (Allen)&lt;br /&gt;4. Come and See (Klimov)&lt;br /&gt;5. A Zed and Two Noughts (Greenaway)&lt;br /&gt;6. Back to the Future (Zemeckis)&lt;br /&gt;7. After Hours (Scorsese)&lt;br /&gt;8. Pee-Wee’s Big Adventure (Burton)&lt;br /&gt;9. Tampopo (Itami)&lt;br /&gt;10. Vagabond (Varda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/69198990_ph1_w434_h_q80-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/69198990_ph1_w434_h_q80-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=910&amp;amp;highlight=yearly+consensus"&gt;1986:&lt;/a&gt;&lt;br /&gt;1. Blue Velvet (Lynch)&lt;br /&gt;2. Hannah and Her Sisters (Allen)&lt;br /&gt;3. Aliens (Cameron)&lt;br /&gt;4. The Fly (Cronenberg)&lt;br /&gt;5. Down by Law (Jarmusch)&lt;br /&gt;6. Platoon (Stone)&lt;br /&gt;T7. Castle in the Sky (Miyazaki)&lt;br /&gt;T7. The Sacrifice (Tarkovsky)&lt;br /&gt;9. Sherman's March (McElwee)&lt;br /&gt;10. Mona Lisa (Jordan)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Ferris Bueller's Day Off (Hughes)&lt;br /&gt;Jean de Florette (Berri)&lt;br /&gt;Street of Crocodiles (Quays)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.wwkae.com/wp-content/uploads/2007/07/raising-arizona.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://www.wwkae.com/wp-content/uploads/2007/07/raising-arizona.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=803"&gt;1987:&lt;/a&gt;&lt;br /&gt;1. Raising Arizona (Coen)&lt;br /&gt;2. The Man Who Planted Trees (Back)&lt;br /&gt;3. Full Metal Jacket (Kubrick)&lt;br /&gt;4. Au revoir les enfants (Malle)&lt;br /&gt;5. Wings of Desire (Wenders)&lt;br /&gt;6. Withnail &amp;amp; I (Robinson)&lt;br /&gt;7. Evil Dead II (Raimi)&lt;br /&gt;8. Superstar: The Karen Carpenter Story (Haynes)&lt;br /&gt;9t. Empire of the Sun (Spielberg)&lt;br /&gt;9t. Planes, Trains and Automobiles (Hughes)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;The Princess Bride (Reiner)&lt;br /&gt;Matewan (Sayles)&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_lmAK2LnvRo0/R_KKcRXRGRI/AAAAAAAAAAU/Sk3-sULHLcg/s1600-h/spoorloos0081hg.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5184358339358824722" style="" alt="" src="http://3.bp.blogspot.com/_lmAK2LnvRo0/R_KKcRXRGRI/AAAAAAAAAAU/Sk3-sULHLcg/s320/spoorloos0081hg.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=695"&gt;1988:&lt;/a&gt;&lt;/div&gt;&lt;div&gt;1. The Vanishing (Sluizer)&lt;/div&gt;&lt;div&gt;2. The Last Temptation of Christ (Scorsese)&lt;/div&gt;&lt;div&gt;3. Dead Ringers (Cronenberg)&lt;/div&gt;&lt;div&gt;4. My Neighbor Totoro (Miyazaki)&lt;/div&gt;&lt;div&gt;5. Akira (Ôtomo)&lt;/div&gt;&lt;div&gt;6. Who Framed Roger Rabbit (Zemeckis)&lt;/div&gt;&lt;div&gt;7. Cinema Paradiso (Tornatore)&lt;/div&gt;&lt;div&gt;8. Die Hard (McTiernan)&lt;/div&gt;&lt;div&gt;9. Grave of the Fireflies (Takahata)&lt;/div&gt;&lt;div&gt;10t. A Fish Called Wanda (Crichton)&lt;/div&gt;&lt;div&gt;10t. The Thin Blue Line (Morris)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Runners-Up:&lt;/div&gt;&lt;div&gt;Landscape in the Mist (Angelopoulos)&lt;/div&gt;&lt;div&gt;Dangerous Liaisons (Frears)&lt;/div&gt;&lt;div&gt;Distant Voices, Still Lives (Davies)&lt;/div&gt;&lt;div&gt;A Short Film about Killing (Kieslowski)&lt;/div&gt;&lt;div&gt;The Unbearable Lightness of Being (Kaufman)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/more/sjff_01_img0141.jpg"&gt;&lt;img style="width: 320px; cursor: pointer;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/more/sjff_01_img0141.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=593"&gt;1989:&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;1. Do the Right Thing (Lee)&lt;br /&gt;2. Crimes and Misdemeanors (Allen)&lt;br /&gt;3. The Cook, The Thief, His Wife and Her Lover (Greenaway)&lt;br /&gt;4. Dekalog (Kieslowski)&lt;br /&gt;5. Indiana Jones and the Last Crusade (Spielberg)&lt;br /&gt;6t. Santa Sangre (Jodorowsky)&lt;br /&gt;6t. Roger &amp;amp; Me (Moore)&lt;br /&gt;8. Field of Dreams (Robinson)&lt;br /&gt;9. Glory (Zwick)&lt;br /&gt;10. The Seventh Continent (Haneke)&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;Nearly missed:&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;Kiki's Delivery Service (Miyazaki)&lt;br /&gt;Violent Cop (Kitano)&lt;br /&gt;Speaking Parts (Egoyan)&lt;br /&gt;Say Anything... (Crowe)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-1627026001783718339?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/1627026001783718339/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=1627026001783718339' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/1627026001783718339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/1627026001783718339'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/01/1980s.html' title='1980&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_lmAK2LnvRo0/R_KKcRXRGRI/AAAAAAAAAAU/Sk3-sULHLcg/s72-c/spoorloos0081hg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-9181824333763909359</id><published>2008-01-30T20:24:00.000-08:00</published><updated>2008-10-13T10:47:45.705-07:00</updated><title type='text'>1990's</title><content type='html'>&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/more/039_16534Goodfellas-Posters.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/more/039_16534Goodfellas-Posters.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=430"&gt;1990&lt;/a&gt;:&lt;br /&gt;1. Goodfellas (Scorsese)&lt;br /&gt;2. Miller's Crossing (Coen)&lt;br /&gt;3. Edward Scissorhands (Burton)&lt;br /&gt;4. Close-Up (Kiarostami)&lt;br /&gt;5. Wild at Heart (Lynch)&lt;br /&gt;6. Dances with Wolves (Costner)&lt;br /&gt;7. Nikita (Besson)&lt;br /&gt;8. Jacob's Ladder (Lyne)&lt;br /&gt;9t. Archangel (Maddin)&lt;br /&gt;9t. Metropolitan (Stillman)&lt;br /&gt;&lt;br /&gt;Near Misses:&lt;br /&gt;Total Recall (Verhoeven)&lt;br /&gt;Trust (Hartley)&lt;br /&gt;Pump Up the Volume (Moyle)&lt;br /&gt;Twin Peaks Pilot (Lynch)&lt;br /&gt;Misery (Reiner)&lt;br /&gt;The Grifters (Frears)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/silence12.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/silence12.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1291&amp;amp;highlight=yearly+consensus"&gt;1991:&lt;/a&gt;&lt;br /&gt;1. The Silence of the Lambs (Demme)&lt;br /&gt;2. Barton Fink (Coen)&lt;br /&gt;3. JFK (Stone)&lt;br /&gt;4. Terminator 2: Judgment Day (Cameron)&lt;br /&gt;5t. Raise the Red Lantern (Zhang)&lt;br /&gt;5t. Beauty and the Beast (Trousdale/Wise)&lt;br /&gt;7. The Double Life of Veronique (Kieslowski)&lt;br /&gt;8. Days of Being Wild (Wong)&lt;br /&gt;9. Delicatessen (Caro/Jeunet)&lt;br /&gt;10. The Rapture (Tolkin)&lt;br /&gt;&lt;br /&gt;Close:&lt;br /&gt;Prospero's Books (Greenaway)&lt;br /&gt;La Belle noiseuse (Rivette)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/Eastwood_Unforgiven_2-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/Eastwood_Unforgiven_2-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1196&amp;amp;highlight=yearly+consensus"&gt;1992:&lt;/a&gt;&lt;br /&gt;1. Unforgiven (Eastwood)&lt;br /&gt;2. The Player (Altman)&lt;br /&gt;3. Reservoir Dogs (Tarantino)&lt;br /&gt;4t. Husbands and Wives (Allen)&lt;br /&gt;4t. Lessons of Darkness (Herzog)&lt;br /&gt;6. Malcolm X (S. Lee)&lt;br /&gt;7t. Orlando (Potter)&lt;br /&gt;7t. Hard-Boiled (Woo)&lt;br /&gt;9t. Baraka (Fricke)&lt;br /&gt;9t. Twin Peaks: Fire Walk with Me (Lynch)&lt;br /&gt;&lt;br /&gt;Close:&lt;br /&gt;Careful (Maddin)&lt;br /&gt;Porco Rosso (Miyazaki)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/schindlerslist_big_008-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/schindlerslist_big_008-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1127&amp;amp;highlight=yearly+consensus"&gt;1993:&lt;/a&gt;&lt;br /&gt;1. Schindler's List (Spielberg)&lt;br /&gt;2. Naked (Leigh)&lt;br /&gt;3. Three Colors: Blue (Kieslowski)&lt;br /&gt;4. Groundhog Day (Ramis)&lt;br /&gt;5. Wallace &amp;amp; Gromit in the Wrong Trousers (Park)&lt;br /&gt;6. The Nightmare Before Christmas (Selick)&lt;br /&gt;7. Short Cuts (Altman)&lt;br /&gt;8. Dazed and Confused (Linklater)&lt;br /&gt;9t. Sonatine (Kitano)&lt;br /&gt;9t. The Piano (Campion)&lt;br /&gt;&lt;br /&gt;Almost:&lt;br /&gt;Jurassic Park (Spielberg)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/pulp_fiction-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/pulp_fiction-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1028"&gt;1994:&lt;/a&gt;&lt;br /&gt;1. Pulp Fiction (Tarantino)&lt;br /&gt;2. Chungking Express (Wong)&lt;br /&gt;3. Three Colors: Red (Kieslowski)&lt;br /&gt;4. Ed Wood (Burton)&lt;br /&gt;5. Exotica (Egoyan)&lt;br /&gt;6. The Shawshank Redemption (Darabont)&lt;br /&gt;7. Heavenly Creatures (Jackson)&lt;br /&gt;8. Sátántangó (Tarr)&lt;br /&gt;9. Crumb (Zwigoff)&lt;br /&gt;10. Three Colors: White (Kieslowski)&lt;br /&gt;&lt;br /&gt;So Close:&lt;br /&gt;Hoop Dreams (James)&lt;br /&gt;Léon (Besson)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/seven1-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/seven1-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=979&amp;amp;highlight=yearly+consensus"&gt;1995:&lt;/a&gt;&lt;br /&gt;1. Se7en (Fincher)&lt;br /&gt;2. Dead Man (Jarmusch)&lt;br /&gt;3. Whisper of the Heart (Kondo)&lt;br /&gt;4. Before Sunrise (Linklater)&lt;br /&gt;T5. Heat (Mann)&lt;br /&gt;T5. Twelve Monkeys (Gilliam)&lt;br /&gt;7. Safe (Haynes)&lt;br /&gt;8. Toy Story (Lasseter)&lt;br /&gt;9. Cyclo (Tran)&lt;br /&gt;10. Underground (Kusturica)&lt;br /&gt;&lt;br /&gt;So very close:&lt;br /&gt;La Haine (Kassovitz)&lt;br /&gt;Welcome to the Dollhouse (Solondz)&lt;br /&gt;Maborosi (Koreeda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/fargo-2.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/fargo-2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=909&amp;amp;highlight=yearly+consensus"&gt;1996:&lt;/a&gt;&lt;br /&gt;1. Fargo (Coen)&lt;br /&gt;2. Trainspotting (Boyle)&lt;br /&gt;3. Breaking the Waves (Trier)&lt;br /&gt;4. Secrets and Lies (Leigh)&lt;br /&gt;5. Lone Star (Sayles)&lt;br /&gt;6. La Promesse (Dardennes)&lt;br /&gt;7. Paradise Lost: The Child Murders at Robin Hood Hills (Berlinger/Sinofsky)&lt;br /&gt;8. Waiting for Guffman (Guest)&lt;br /&gt;9. Bottle Rocket (W. Anderson)&lt;br /&gt;10t. Freeway (Bright)&lt;br /&gt;10t. Crash (Cronenberg)&lt;br /&gt;10t. Sling Blade (Thornton)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Kids Return (Kitano)&lt;br /&gt;The Hunchback of Notre Dame (Trousdale/Wise)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img87.imageshack.us/img87/3225/sweethereaftermr7.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img87.imageshack.us/img87/3225/sweethereaftermr7.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=787"&gt;1997:&lt;/a&gt;&lt;br /&gt;1. The Sweet Hereafter (Egoyan)&lt;br /&gt;2. Jackie Brown (Tarantino)&lt;br /&gt;3t. Hana-bi (Kitano)&lt;br /&gt;3t. Boogie Nights (P.T. Anderson)&lt;br /&gt;5. Lost Highway (Lynch)&lt;br /&gt;6. Princess Mononoke (Miyazaki)&lt;br /&gt;7. Funny Games (Haneke)&lt;br /&gt;8. In the Company of Men (LaBute)&lt;br /&gt;9. L.A. Confidential (Hanson)&lt;br /&gt;10. Cure (K. Kurosawa)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Almost there&lt;/u&gt;&lt;br /&gt;Little Dieter Needs to Fly (Herzog)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_lmAK2LnvRo0/R_KI0RXRGQI/AAAAAAAAAAM/gLAPF1GIwpw/s1600-h/rush.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5184356552652429570" style="" alt="" src="http://3.bp.blogspot.com/_lmAK2LnvRo0/R_KI0RXRGQI/AAAAAAAAAAM/gLAPF1GIwpw/s320/rush.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=683"&gt;1&lt;/a&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=683"&gt;998&lt;/a&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=683"&gt;:&lt;/a&gt;&lt;/div&gt;&lt;div&gt;1. Rushmore (W. Anderson)&lt;/div&gt;&lt;div&gt;2. The Big Lebowski (Coen)&lt;/div&gt;&lt;div&gt;3. The Thin Red Line (Malick)&lt;/div&gt;&lt;div&gt;4. Run, Lola, Run (Tykwer)&lt;/div&gt;&lt;div&gt;5. The Truman Show (Weir)&lt;/div&gt;&lt;div&gt;6. Saving Private Ryan (Spielberg)&lt;/div&gt;&lt;div&gt;7. The Celebration (Vinterberg)&lt;/div&gt;&lt;div&gt;8. Pleasantville (Ross)&lt;/div&gt;&lt;div&gt;9. Fear and Loathing in Las Vegas (Gilliam)&lt;/div&gt;&lt;div&gt;10. Fucking Åmål (Moodysson)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Almost there:&lt;/div&gt;&lt;div&gt;Out of Sight (Soderbergh)&lt;/div&gt;&lt;div&gt;Buffalo '66 (Gallo)&lt;/div&gt;&lt;div&gt;The Hole (Tsai)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_txmWZ3zUUD0/R8NDu1ilyaI/AAAAAAAAADc/RAG1XJu7BjE/s400/beingjohnmalkovich.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://2.bp.blogspot.com/_txmWZ3zUUD0/R8NDu1ilyaI/AAAAAAAAADc/RAG1XJu7BjE/s400/beingjohnmalkovich.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=569"&gt;1999:&lt;/a&gt;&lt;/div&gt;&lt;div&gt;1. Being John Malkovich (Jonze)&lt;/div&gt;&lt;div&gt;2. Magnolia (P.T. Anderson)&lt;/div&gt;&lt;div&gt;&lt;div&gt;3. Eyes Wide Shut (Kubrick)&lt;/div&gt;&lt;div&gt;4. Fight Club (Fincher)&lt;/div&gt;&lt;div&gt;5t. Election (Payne)&lt;/div&gt;&lt;div&gt;5t. The Straight Story (Lynch)&lt;/div&gt;&lt;div&gt;7t. Ratcatcher (Ramsay)&lt;/div&gt;&lt;div&gt;7t. Kikujiro (Kitano)&lt;/div&gt;&lt;div&gt;9. Beau Travail (Denis)&lt;/div&gt;&lt;div&gt;10. Boys Don't Cry (Peirce)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Almost there:&lt;/div&gt;&lt;div&gt;The Insider (Mann)&lt;/div&gt;&lt;div&gt;Three Kings (Russell)&lt;/div&gt;&lt;div&gt;Toy Story 2 (Lasseter/Brannon/Unkrich)&lt;/div&gt;&lt;div&gt;Audition (Miike)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-9181824333763909359?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/9181824333763909359/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=9181824333763909359' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/9181824333763909359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/9181824333763909359'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/01/1990s.html' title='1990&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_lmAK2LnvRo0/R_KI0RXRGQI/AAAAAAAAAAM/gLAPF1GIwpw/s72-c/rush.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-728625366094161482.post-5985959428704208969</id><published>2008-01-30T20:20:00.000-08:00</published><updated>2011-06-25T16:43:36.827-07:00</updated><title type='text'>2000's</title><content type='html'>&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/img_menu.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/img_menu.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=418"&gt;2000&lt;/a&gt;:&lt;br /&gt;1. In the Mood for Love (Wong)&lt;br /&gt;2. Requiem for a Dream (Aronofsky)&lt;br /&gt;3. Werckmeister Harmonies (Tarr)&lt;br /&gt;4. Memento (Nolan)&lt;br /&gt;5. Yi Yi (Yang)&lt;br /&gt;6. You Can Count on Me (Lonergan)&lt;br /&gt;7. Dancer in the Dark (Trier)&lt;br /&gt;8. American Psycho (Harron)&lt;br /&gt;9. Almost Famous (Crowe)&lt;br /&gt;10. Songs From the Second Floor (Andersson)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;The Heart of the World (Maddin)&lt;br /&gt;Crouching Tiger, Hidden Dragon (A. Lee)&lt;br /&gt;Unbreakable (Shyamalan)&lt;br /&gt;Wonder Boys (Hanson)&lt;br /&gt;Traffic (Soderbergh)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/more/mulholland02.jpg"&gt;&lt;img style="width: 320px;" alt="" src="http://img.photobucket.com/albums/v696/joel_harmon/more/mulholland02.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=677"&gt;2001:&lt;/a&gt;&lt;/div&gt;&lt;div&gt;1. Mulholland Dr. (Lynch)&lt;/div&gt;&lt;div&gt;2. The Royal Tenenbaums (W. Anderson)&lt;/div&gt;&lt;div&gt;3. Amelie (Jeunet)&lt;/div&gt;&lt;div&gt;4. The Lord of the Rings: The Fellowship of the Ring (Jackson)&lt;/div&gt;&lt;div&gt;5. The Piano Teacher (Haneke)&lt;/div&gt;&lt;div&gt;6. A.I.: Artificial Intelligence (Spielberg)&lt;/div&gt;&lt;div&gt;7. What Time is it There? (Tsai)&lt;/div&gt;&lt;div&gt;8. Ghost World (Zwigoff)&lt;/div&gt;&lt;div&gt;9. Moulin Rouge! (Luhrmann)&lt;/div&gt;&lt;div&gt;10. Millennium Actress (Kon)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Near Misses:&lt;/div&gt;&lt;div&gt;Spirited Away (Miyazaki)&lt;/div&gt;&lt;div&gt;Hedwig and the Angry Inch (Mitchell)&lt;/div&gt;&lt;div&gt;Pulse (K. Kurosawa)&lt;/div&gt;&lt;div&gt;Donnie Darko (Kelly)&lt;/div&gt;&lt;div&gt;Y tu mamá también (Cuarón)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/more/ry3a.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/more/ry3a.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=883&amp;amp;highlight=yearly+consensus"&gt;2002:&lt;/a&gt;&lt;br /&gt;1. Punch Drunk Love (P.T. Anderson)&lt;br /&gt;2. City of God (Meirelles/Lund)&lt;br /&gt;3. Adaptation (Jonze)&lt;br /&gt;4t. Talk to Her (Almodovar)&lt;br /&gt;4t. The Son (Dardennes)&lt;br /&gt;6. Lilya 4-Ever (Moodysson)&lt;br /&gt;7. 25th Hour (S. Lee)&lt;br /&gt;8. Lord of the Rings: Two Towers (P. Jackson)&lt;br /&gt;9t. Femme Fatale (De Palma)&lt;br /&gt;9t. Far from Heaven (Haynes)&lt;br /&gt;&lt;br /&gt;Oh so close:&lt;br /&gt;Solaris (Soderbergh)&lt;br /&gt;Minority Report (Spielberg)&lt;br /&gt;Gangs of New York (Scorsese)&lt;br /&gt;Twilight Samurai (Yamada)&lt;br /&gt;Irreversible (Noé)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/dogville-grundriss2.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/dogville-grundriss2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1023"&gt;2003:&lt;/a&gt;&lt;br /&gt;1. Dogville (Trier)&lt;br /&gt;2. Lost in Translation (S. Coppola)&lt;br /&gt;3. Finding Nemo (Stanton/Unkrich)&lt;br /&gt;4. Elephant (Van Sant)&lt;br /&gt;5. All the Real Girls (Green)&lt;br /&gt;6. The Lord of the Rings: Return of the King (Jackson)&lt;br /&gt;7. Kill Bill V.1 (Tarantino)&lt;br /&gt;8. Oldboy (Park)&lt;br /&gt;9. Cowards Bend the Knee (Maddin)&lt;br /&gt;10. Spring Summer Fall Winter … and Spring (Kim)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Master and Commander: The Far Side of the World (Weir)&lt;br /&gt;The Station Agent (McCarthy)&lt;br /&gt;Last Life in the Universe (Ratanaruang)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i233.photobucket.com/albums/ee171/soitgoes22/eternal_sunshine_of_the_spotless-1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://i233.photobucket.com/albums/ee171/soitgoes22/eternal_sunshine_of_the_spotless-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1186"&gt;2004:&lt;/a&gt;&lt;br /&gt;1. Eternal Sunshine of the Spotless Mind (Gondry)&lt;br /&gt;2. Before Sunset (Linklater)&lt;br /&gt;3. The Life Aquatic with Steve Zissou (W. Anderson)&lt;br /&gt;4. The Incredibles (Bird)&lt;br /&gt;5. Tropical Malady (Weerasethakul)&lt;br /&gt;T6. Shaun of the Dead (Wright)&lt;br /&gt;T6. 2046 (Wong)&lt;br /&gt;T6. Mysterious Skin (Araki)&lt;br /&gt;9. 3-Iron (Kim)&lt;br /&gt;10. Kill Bill: Vol. 2 (Tarantino)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img99.imageshack.us/img99/4064/thenewworldbf0.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img99.imageshack.us/img99/4064/thenewworldbf0.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1283&amp;amp;highlight=yearly+consensus"&gt;2005:&lt;/a&gt;&lt;br /&gt;1. The New World (Malick)&lt;br /&gt;2. Caché (Haneke)&lt;br /&gt;3. Brick (Johnson)&lt;br /&gt;4. Pride and Prejudice (Wright)&lt;br /&gt;5. The Proposition (Hillcoat)&lt;br /&gt;6. The Squid and the Whale (Baumbach)&lt;br /&gt;7. L'Enfant (Dardennes)&lt;br /&gt;8. Good Night, and Good Luck. (Clooney)&lt;br /&gt;9. A History of Violence (Cronenberg)&lt;br /&gt;10. Last Days (Van Sant)&lt;br /&gt;&lt;br /&gt;Not quite:&lt;br /&gt;Brokeback Mountain (A. Lee)&lt;br /&gt;Grizzly Man (Herzog)&lt;br /&gt;Kiss Kiss Bang Bang (Black)&lt;br /&gt;Batman Begins (Nolan)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/cofmen.jpg"&gt;&lt;img style="cursor: pointer; width: 320px;" src="http://img.photobucket.com/albums/v696/joel_harmon/cofmen.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1360&amp;amp;highlight=yearly+consensus"&gt;2006:&lt;/a&gt;&lt;br /&gt;1. Children of Men (Cuarón)&lt;br /&gt;2. Inland Empire (Lynch)&lt;br /&gt;3. The Fountain (Aronofsky)&lt;br /&gt;4. Pan’s Labyrinth (del Toro)&lt;br /&gt;5. Once (Carney)&lt;br /&gt;6. Syndromes and a Century (Weerasethakul)&lt;br /&gt;7. The Departed (Scorsese)&lt;br /&gt;8. Brand Upon the Brain! (Maddin)&lt;br /&gt;9. The Lives of Others (von Donnersmarck)&lt;br /&gt;10. Paprika (Kon)&lt;br /&gt;&lt;br /&gt;Near misses:&lt;br /&gt;Marie Antoinette (S. Coppola)&lt;br /&gt;United 93 (Greengrass)&lt;br /&gt;The Science of Sleep (Gondry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.photobucket.com/albums/v696/joel_harmon/2007_there_will_be_blood_013.jpg"&gt;&lt;img style="cursor: pointer; width: 319px; height: 213px;" src="http://img.photobucket.com/albums/v696/joel_harmon/2007_there_will_be_blood_013.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=1372&amp;amp;highlight=yearly+consensus"&gt;2007:&lt;/a&gt;&lt;br /&gt;1. There Will Be Blood (P.T. Anderson)&lt;br /&gt;2. No Country for Old Men (Coens)&lt;br /&gt;3. Zodiac (Fincher)&lt;br /&gt;4. The Assassination of Jesse James by the Coward Robert Ford (Dominik)&lt;br /&gt;5. I’m Not There (Haynes)&lt;br /&gt;6. Ratatouille (Bird/Pinkava)&lt;br /&gt;7. Sunshine (Boyle)&lt;br /&gt;8. Death Proof (Tarantino)&lt;br /&gt;9. Paranoid Park (Van Sant)&lt;br /&gt;10. The Diving Bell and the Butterfly (Schnabel)&lt;br /&gt;&lt;br /&gt;Honorable Mentions:&lt;br /&gt;4 Months, 3 Weeks and 2 Days (Mungiu)&lt;br /&gt;Flight of the Red Balloon (Hou)&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/2008-07-04-image3walle.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 237px;" src="http://img.photobucket.com/albums/v696/joel_harmon/2008-07-04-image3walle.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=2546&amp;highlight=yearly+consensus"&gt;2008&lt;/a&gt;&lt;br /&gt;1. Wall-E (Stanton)&lt;br /&gt;2. Let the Right One In (Alfredson)&lt;br /&gt;3. Rachel Getting Married (Demme)&lt;br /&gt;4. The Dark Knight (Nolan)&lt;br /&gt;5. Two Lovers (Gray)&lt;br /&gt;6. Synecdoche, New York (Kaufman)&lt;br /&gt;7. Happy-Go Lucky (Leigh)&lt;br /&gt;8t. Wendy and Lucy (Reichardt)&lt;br /&gt;8t. The Wrestler (Aronofsky)&lt;br /&gt;10. Hunger (McQueen)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Tokyo Sonata (K. Kurosawa)&lt;br /&gt;In Bruges (McDonagh)&lt;br /&gt;Burn After Reading (Coens)&lt;br /&gt;Gran Torino (Eastwood)&lt;br /&gt;A Christmas Tale (Desplechin)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://img.photobucket.com/albums/v696/joel_harmon/inglourious_basterds_02-535x356.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="http://img.photobucket.com/albums/v696/joel_harmon/inglourious_basterds_02-535x356.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.match-cut.org/showthread.php?t=3544"&gt;2009&lt;/a&gt;&lt;br /&gt;1. Inglourious Basterds (Tarantino)&lt;br /&gt;2. A Serious Man (Coens)&lt;br /&gt;3. Dogtooth (Lanthimos)&lt;br /&gt;4. Bright Star (Campion)&lt;br /&gt;5. The White Ribbon (Haneke)&lt;br /&gt;6. Enter the Void (Noé)&lt;br /&gt;7. Antichrist (Trier)&lt;br /&gt;8. Up (Docter/Peterson)&lt;br /&gt;9. Where the Wild Things Are (Jonze)&lt;br /&gt;10. Everyone Else (Ade)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Alamar (González-Rubio)&lt;br /&gt;Fantastic Mr. Fox (W. Anderson)&lt;br /&gt;The Bad Lieutenant: Port of Call - New Orleans (Herzog)&lt;br /&gt;Moon (D. Jones)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/728625366094161482-5985959428704208969?l=matchcutyc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://matchcutyc.blogspot.com/feeds/5985959428704208969/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=728625366094161482&amp;postID=5985959428704208969' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5985959428704208969'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/728625366094161482/posts/default/5985959428704208969'/><link rel='alternate' type='text/html' href='http://matchcutyc.blogspot.com/2008/01/2000s.html' title='2000&apos;s'/><author><name>Joel</name><uri>http://www.blogger.com/profile/00964148103523572269</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://img.photobucket.com/albums/v696/joel_harmon/1.jpg'/></author><thr:total>0</thr:total></entry></feed>
